“González has more to offer. He adds subtle articulation and moderate dynamics to the undulating textures of Bach’s creative “weaving, spinning and spinning voices”, captivating the attention of an audience with his gentle and elegant style.
Why not put your faith in the artist impressions, served by Pedro Mateo González in the rich acoustics of the 13th Century Convent of San Francisco, in Ávila, Spain, in the best possible (two microphones) Eudora engineering?”