After many hours of listening and comparing I have come to the conclusion that Josep Colom doesn’t fit any of the modern stereotypes. He is different. He very much is his own man. […] [These sonatas] demand years of experience and deep understanding of Ludwig van Beethoven, his inner self, his temperament, moods of desolation and subsequent resignation. Colom’s playing gives clear evidence that he has understood it […].
And then again, Eudora’s recording is outstanding. The sound is clean, almost clinically clean, to the point that each and every note comes out clearly, from warm low to tingling high.
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