“It is a long and widely outdated thought that non-Russian musicians would feel less at home in Russian music […]. The Trío Arriaga […] convincingly rejects such an idea, because if anything can be interpreted as ‘Russian (or Slavic)’, then that is clearly manifest in these two performances. […] The warmth and transparency created by … The warmth and transparency created by Gonzalo Noqué […] is more than excellent.
“Italian pianist Domenico Codispoti delves deep behind the notes on the page, and enhances each one’s introspective temperament and persona. From the deep melancholy of No. 6 Lento assai, to the exhilaration of No. 16 Presto con fuoco and the all-out rage of No. 22 Molto agitato (audio clip below), Codispoti, whilst always maintaining a … Domenico Codispoti delves deep behind the notes.
“González has more to offer. He adds subtle articulation and moderate dynamics to the undulating textures of Bach’s creative “weaving, spinning and spinning voices”, captivating the attention of an audience with his gentle and elegant style.Why not put your faith in the artist impressions, served by Pedro Mateo González in the rich acoustics of the … In the best possible Eudora engineer.
“[…] se aprecia en las primeras notas el estilo preciso y elegante del intérprete […] El disco […] crea una atmósfera de recogimiento propiciada por una magnífica interpretación, que se aprecia en la atención a los detalles y la veneración por cada sonido.”
“Las firmas de Chaikovski y Shostakóvich cobran en la interpretación del Trío Arriaga una colosal talla. […] En suma, lección de musicalidad por el Trío Arriaga.”
“Susana Gómez Vázquez illuminates these piano pieces with a scintillating beauty, each carefully shaped and presented like jewels on velvet cushions. Both the performances and the recorded sound quality, in Pure DSD256, are a treasure.”